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Writing about Ōtari

Ōtari-Wilton’s Bush means many things to many people. It can be a place of contemplation, sharing, healing, learning, and simply a place to walk or run in a natural world. For the past two summers we have invited people to write about Ōtari, a story, or poem, or haiku. We have asked them to tell us what Ōtari means to them, or about a special experience they have enjoyed at Ōtari. Asults and children have contributed. We are delighted to share some of these stories and haiku with you.

A traveller’s first sightings

She’s enveloped in the night, a chorus of ruru surrounding her beneath the carpet of stars. Turning her phone torch on, she heads into the bush. She’s on the hunt.

Walking down Te Ara Porowhita beneath towering trees, the vines swoop down in greeting, leaves and branches snapping underfoot. This could be scary if it weren’t for the warm feeling washing over her the further she goes, there is a sense of peace or welcoming here. Pair that with the smile pushing her lips and the butterflies in her stomach, and there is no fear here.

Ducking below a vine, she turns left at the junction. The spotlight of white ahead moves and bumbles about with her but in the quiet, she can hear the trickling of the stream, the ruru in the distance, the leaves of the canopy blowing in the breeze and ahead the waterfall.

Reaching the waterfall, she shines the torch around, and not seeing anything out of the ordinary, turns it off and waits. Letting her eyes adjust, she looks up to the stars, wondering if she will see one shooting. Slowly, as she’s absorbed in the tranquillity, her eyes float down looking at the waterfall and the starry night, mind drifting as she watches them twinkle and move with the water.

The sudden realisation hits: you don’t get stars in waterfalls.

The crevices of the waterfall emit a blue-green magical glow, hundreds of them. More appear with each breath, giving off different intensities. She’s found them.

The stars and the glow-worms blur into one, the galaxy seeming to spill into the bush, or perhaps the bush is quietly offering its magic back to the stars. She watches a while longer, marvelling at the strange, gentle magic of a forest lit like the night sky.

Megan Ireland

Overall winner, 2026

Ōtari Bush Run

I know the loop like the back of my hand.
We start at a brown pole.
I go down a small hill, and then I’m excited cause it’s time for my favourite part.
I feel like I’m going to fall over, but also like I might fly. My legs are spinning fast, like I’m in a cartoon.

I love seeing all the nature, all the trees and birds and eels as I speed by.
The flowing stream is beautiful.
I don’t need to think.
Over the bridge, and then I see Troup Lawn. I have to touch the eel sign, and look at my watch.

The fastest I have gone downhill is six minutes five seconds.

But then there’s a big hill. This part is going to take forever. I just have to keep moving - one step at a time.

Then I hit the boardwalk and I know I’m nearly home.
The trees are right below me.
And then I see the brown pole again.
It’s the end, and I feel very tired.

Eddie Lensen (Aged 8)

Under 12 winner, 2026

Tempus Fugit (Time Flies)

[Written in 1951, when the writer was a third former, and published in the Wellington Girls’ College Reporter.]

It was Saturday afternoon, the first fine one in weeks. I was riding along the main road on my bicycle towards my friend Mary’s home. She lives near Wilton’s Bush. Having arrived, I pushed open the little white gate with the front wheel of my bicycle and walked in. I laid my bicycle against the bank, then walked around the side of the house to meet Mary., in the back garden. Mary called to her mother to say that I had arrived and we were starting out. We went out the gate, crossed the road and slid down a clay bank which brought us to the Wilton Bush Reserve, on one of the main tracks.

We continued along this track until we came to a tiny side path running like a brown ribbon through the bush. We crossed onto this and walked happily along listening to the birds and trying to pick the different songs. “That’s a grey warbler,” I said.

Suddenly there was a whirl of wings above our heads and looking up we saw a wood pigeon, flashing green in the sunlight. Today was our lucky day for it’s not often we see a wood pigeon.

We went on along this lovely track until we saw an old gnarled tree in front of us with a familiar cross on it. At once we broke into a run, down past the tree into the bush, for this sign on the tree showed us where to turn off to reach Mana Clearing. After a few minutes we came out of the bush into a beautiful sunlit clearing, the floor of which was carpeted with small, soft ferns and moss. After making sure that everything was the same as usual, we raced over to the other side of the clearing and pulled down out of the branches of our tree, our vine. Our vine is an enormous one. It is curved outwards at the bottom in such a way that it affords a comfortable seat.

“Bags I first turn!” I shrieked, and taking the vine pulled it to one end of the clearing and jumping onto it, I swung out over the clearing. It was lovely. For the rest of the afternoon we stayed at the clearing, tree climbing, swinging on the vine or adding to our fort which was at one end of the clearing.

Oh! Suddenly I remembered there was such a thing as time.

“Mary,” I gasped. “What’s the time?”

“Goodness, it’s ten to five. Come on! We’ll have to run,” she said.

Run! We certainly did. I had to be home at five. When we reached Mary’s place I said a hurried goodbye, grabbed my bike and pedalled off home for all I was worth.

Irene Swadling (nee Lusty)

A note from Irene: Tempus Fugit is a fictional story but based on the now over 800 year old rimu tree. A friend and I discovered it although we had no idea it was at least 750 years old at that time. We would swing on the vine across the then clearing and small stream. I returned to Wellington in 1990. Diana and I were still in touch and we met up, each of us bringing two grand daughters and went in search of the tree. We discovered it was on the blue path and was 800 years old! At the time of writing the story there was a clearing but that was filled with scrubby vegetation when I returned.

The kākā near me

Fact has it that if you track deep into the Fiordland forest you will find a kākā, a magical bird that is mostly brown but under its wings it has red and orange with a drop of yellow sunshine. But fact also has it that you don’t have to track that far. If you come to Ōtari-Wilton’s Bush you might just see some so if you live in Northland don’t go to Fiordland, just come a much shorter way to Wellington, take a walk in the bush, go to the 800 year old rimu tree, see a kākā, talk to Tim Park, take a photo in front of the Wellington sign, if you have any in Wellington go see some friends. There are also eels, look at them. Just don’t feed them. Me and my Mum and my brother always go walking there. It’s right next to my school so I go there with my class, it’s very fun. That’s why I love Ōtari-Wilton’s Bush.

Nellie Bernard (9 years)

From 2025
Haiku

Spared from axe and fire

remnant trees to admire

safe home for manu

Sarah Goldberg

Haiku

Cool green mamaku

visit peaceful fernery

Dracophyllums neath

Margaret Herbert

Poem

Glow worms ever so fluorescent
Glowing in the midnight moon so bright
Ōtari Bush is so wondrous

Nellie

The Photo

Lightly, between forefinger and thumb, I hold up a photo and study it closely. It’s from one of the first pages of my Otari album. It shows two older men sitting on a bank. They are smiling and squinting into the sun, each with grubby-fingered fists raising a tin of beer in cheer.

One sports glasses and a bottle-green jersey; his thin white hair is lifting slightly in the air. The other has an impressively lush mop of brilliant white hair, combed tidily to one side. Both would be in their mid 70s; both have mud stains on their trousers’ knees and grubbers at their side. With their impish grins, they could be the Statler and Waldorf Muppet characters that heckle from their balcony seats in the theatre. But they’re not.

It’s Jock Flemming to the left, Athol Swann to the right; two doyen of the Ōtari-Wilton’s Bush Trust. Along with John Dawson, Margaret Crimp and Margaret Chetwin, they form the cabal I most associate with the gentle persistence that resulted in the formation of the trust.

The photo was taken in 2004. We’d just finished a Saturday morning of planting beside Kaiwharawhara Stream. This was a drink of satisfaction at the end of a morning’s digging. Twenty years on, the area is now a thick scraggle of young trees. It would be hard to find the cleared bank they sat on; even harder to understand that twenty years ago, this bushy section along the Kaiwharawhara Stream in Ōtari-Wilton’s Bush had been a hopeless mess of blackberry.

I raise my own glass to these two gentle men whose vision and support has seen the rewilding of the Kaiwharawhara valley.

Bronwen Wall, Ngaio

Relief from the Dry

Soaking rain poured in drips and splodges from water-laden foliage. My trouser bottoms were wet and my shoes muddy. The hood of my green parka was leaking over my specs, but I could hardly see anyway, the mist was so dense. I was swimming in rich gleaming greens of all shades and densities as I slipped and squelched through the top paths in Ōtari. It was utter bliss! I shall never forget that enormous sense of relief, of escape, an almost unimaginable contrast from the straw-coloured grass of the drought-ridden New England Tablelands of New South Wales that I’d been riding over a couple of days before. In that dry climate, it seemed that I had shrivelled myself, but was now plumping up, absorbing damp greenery through every pore of my body, wrapped in waterproofs though I was. It was an enormous sense of relief, a catapult from one universe to another. I have relived it many times over the years, back in this dry continent.

Elizabeth Teather, Canberra

Tuna Kuwharuwharu

Clouds, blown across the Strait by the relentless nor’wester, shroud the top of Mt Kaukau. They sit there piling up around the transmitter mast, covering the tops and settling in the gullies that rake the sides of the hill. Closer, the cabbage trees take the impact of the gale, their leaves dancing like shredded flags. It is not a day for walking the tops.

In Ōtari, alongside the Kaiwharawhara Stream, it is calm under the forest canopy. Dog-walkers are out enjoying the tracks through the bush. “Kia ora” they say as they pass by. Some stop to enjoy my interest in their pet, but most have earbuds and don’t respond to my greeting. I’m searching the stream for eels. It’s late afternoon and in the shallow, quiet reaches of the river I see one, then two, three, more. They move languidly, swaying in the current. Big ones. I silently voice my hope that teenagers no longer have the urge to go eeling like we did when we were kids. We’d head down to the river at dusk with poles fashioned as spears. The next day we would pose proudly with our catch while dad took a snap with the box brownie camera. We’d hold the biggest one up by its gills so it hung down beside us, from our head to our feet if it was a really big one. We never ate them. They were trophies that gave us bragging rights at school. “It was huge. Taller than me.” Or “We got six last night.” The one below me in the stream turns effortlessly in the shallows. I pray for its survival.

Further downstream, below the tunnel that takes the river under the railway line, there are fewer eels. Here dogs run freely into the water, splashing in the shallows where eels like to rest. A dog owner is yelling at his large dog to “Get the eel!” which is swimming barely a couple of metres away. Luckily, the dog is confused with his owner’s command. I wonder whether he has the ability to catch its scent through the water. “Did you know that eels are protected in this stream?” I gently inform the owner. “Yeah?” He glances at me and throws the dog a stick, close to the eel. It bounds through the water after the stick, sending up a spray of water before returning to his master. After a vigorous shake he turns back to the stream to retrieve the next stick. The eel has silently slid into the dark, hidden deep of the opposite bank. I breathe a sigh of relief.

A warning has been erected informing park users of contaminated water. The old sewer pipe that runs alongside and across the stream leaks whenever it rains, making the water undrinkable, un-swimmable. Un-fishable. You can smell it when you pass the entrances to the sewer tunnels, an embarrassing stench in a scenic reserve where visitors come to enjoy the wild beauty of regenerating native bush. When it rains, the stormwater from the neighbouring suburbs gushes into the stream turning it into a raging beast, a brown torrent filling the gorges and carrying branches and plastic rubbish down the gully. Much is caught by the debris trap constructed of old railway lines which stand like fence posts across the stream. Today, upstream of that wall of thatched debris, where the stream is wide and shallow a lone eel glides lazily across the pebbles. Close by, on the bank, a large sign tells the story of the longfin eel, Tuna Kuwharuwharu. “The longfin eel has lived in New Zealand for 80 million years. It is our top freshwater predator and probably the biggest eel in the world. Some females grow 2m in length and weigh up to 40 kg. The oldest eel found was 106 years old…”.

I walk alongside the Kaiwharawhara, pondering the plight of the longfin. In the 1950s there were eel extermination programmes to clear eels from rivers earmarked for hydroelectric dams, or to protect trout fisheries. Many dams were built without fish passage for eels during their upstream and downstream migration. Commercial eel fishing took off in the 1960s. By the early 1970s New Zealand’s eel population had been decimated and migration numbers had reduced sharply. Even now there is ongoing loss of eel habitats. Wetlands continue to be drained, streams re-engineered and vegetation removed. Recovery of eel numbers is going to take time.

The light is fading when I return upstream to Ōtari. The dog-walkers have left, just an occasional jogger passing through. There is a perceptible break in the wind. The cabbage trees are standing erect, barely moving, a southerly turn. The water of the Kaiwharawhara is darker, the stream narrower and shaded by the forest. I catch sight of movement in the water. A big longfin is lolling near the far side. I watch it, marvelling at what it represents. The fact that I have seen it means that it is not old enough to migrate to breed, and die. It moves slowly upstream, sometimes turning on its side, showing its light underside. I follow, keeping it in my sight. It moves effortlessly, hugging the larger rocks, sucking at them. Then with a strong flick of its tail, it moves up a swifter channel. Suddenly, without warning it is being swept downstream on the current, headfirst, at the mercy of the river. I turn and follow, peering into the darkening waters. “Hi” mutters a passing runner. Unexpectedly he stops and asks what I’m looking at. “An eel,” I say, “but I’ve lost sight of it.” He tells me there are plenty up by the Troup Picnic Lawn. “I think people feed them there,” he says.

The stream widens slightly, and there it is, commencing another systematic search of its territory, working its way upstream again as far as the rapids where it will let the water take it back downstream to continue its endless patrol. Will this one ever grow old enough to breed? And will its elvers find their way back from the tropics to start the next generation? Can this remarkable species survive for another 80 million years in the Kaiwharawhara?

In the fading light I watch as the eel negotiates around a large rock and slides into deeper water. Good luck, I breathe. Stay safe, Tuna Kuwharuwharu.

Anne Tuffin

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